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๐“๐ž๐œ๐ก๐ง๐จ๐ฅ๐จ๐ ๐ข๐œ๐š๐ฅ ๐€๐ง๐ญ๐ข-๐‡๐จ๐ฅ๐ข๐ฌ๐ฆ ๐š๐ง๐ ๐ญ๐ก๐ž ๐“๐ก๐ข๐ง๐ค๐ข๐ง๐  ๐จ๐Ÿ ๐ญ๐ก๐ž ๐Ž๐ฎ๐ญ๐ฌ๐ข๐๐ž

David Roden

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David Roden published work has addressed the relationship between deconstruction and analytic philosophy, philosophical naturalism, the metaphysics of sound and posthumanism.



He contributed the essay "The Disconnection Thesis" to the Springer Frontiers volume The Singularity Hypothesis: A Scientific and Philosophical Assessment. His book Posthuman Life: Philosophy at the Edge of the Human (Routledge 2014) considers the metaphysical, epistemological and ethical implications of the existence of posthumans: powerful nonhuman agents produced by human-instigated technological processes.



Other representative publications include: โ€œRadical Quotation and Real Repetitionโ€ in Ratio: An International Journal of Analytic Philosophy (2004); "Nature's Dark Domain: an argument for a naturalized phenomenology" in the Royal Institute of Philosophy Supplement, Phenomenology and Naturalism (2013); โ€œSonic Arts and the Nature of Sonic Eventsโ€, Review of Philosophy and Psychology (2010). โ€œ

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